Tolles Gerät,zaubert WahnsinnsSound aus meinen alten ElectroVoice/ Fostex Selbstbauboxen..1 Stern Abzug nur, weil ich jedesmal beim Ausschalten einen lauten Knall im Hochtonzweig habe. Sowas gibt's bei meinen Yamaha Pro Audio Komponenten nicht.. passiert aber nix, meine EV Hochtonhörner halten das aus..bin sehr zufrieden für den Preis

Hey I got this to replace (other brand) Small Box / SX45 Two Way Crossover.It works well.I'm using it with my Old Yamaha receiver, with the jumpers taken out which makes it / switches it to a PREAMP. so Using for now as a 2.1 setup.Currently I only have 1 sub, I set the Behringer SUPER-X PRO CX2310 V2, crossovers according to how I want it, adjusted the levels etc.. I am using the subwoofer output for now, but Once I Get 2 subs, I will switch to the dual low outputs. Hopefully it works just as well. so it would then be switched to a true 2.2 Stereo setup (2 / Stereo subs)I'm not a pro audio guy, but I Can say this works better than my previous SX45 and I Like it a lot.It's very thin or little depth in dimensions, I just put a short padding(old mouse pad/mat cut) at the front of my Yamaha and put the Behringer right on top. Most of the Yamaha preamp heat comes out the open space / section about mid-way back on top so it's fine.This is a great product.Even though it's look, and design if more pushed / put out for PRO AUDIO, I Can say it works great as a Home Audio Crossover, at least in my style of setup.It adds a lot of control to your setup, try it out. it's pretty easy to understand how it works.When using the actual dedicated sub out, personally I set mine to about 50/55Hz, and my speakers crossover to about 60Hz~ around there. This is how online guides, and people say to do it because the missing Hz/ Section is in a way added together by the high and low roll offs. I Don't know how else to explain it in my knowledge/wording.. but it works.Also go by your ears and understanding.Side note: My Speakers are low sensitivity 84dB, There is a tiny amount of hiss from the tweeters with the input and high output levels set to 0. I Don't mind seeing it's such a small amount of hiss and is normal in most cases(And is only noticeable putting your head / ear close to the speaker/tweeter), but I don't know how this would fair in HIGH SENSITIVITY SPEAKERS, Would there be a lot more HISS, I'm not sure. In the end you can also turn the levels down on the Behringer. Also the hiss could be dependent on the gear used beyond/before the Behringer Crossover.Take care and good luck trying out yours.

Ist in einem System aus den 80-zigern mit mehreren Amps im Einsatz. Für den Kurs sehr zu empfehlen.

Gutt

Tut das was es soll.Trentino sauber die Frequenzen.Kann man weiter empfehlen.

Für Anfänger eigentlich ganz ok. Der low cut ist aber unbrauchbar tief gesetzt... Das Gerät hat nach 1 Jahr lagern im Karton und 2 Einsätzen schon den Geist aufgegeben. 1 sub Kanal defekt.

Super article je recommande sans limite. Bravo Behringer toujours parfait

Crossover Behringer atendeu plenamente minhas expectativas. O som ficou muito bom depois que instalei esse aparelho. Valeu cada centavo investido, eu recomendo tranquilamente.

Ottimo prodotto funziona molto bene, posa spesa tanta resa. Super consigliato

Super Teil

Behringer hat neue Verpackungen - ohne den geringsten informativen Aufdruck . Wer also nun techn. Daten sucht , wird wohl das Internet bemühen müssen , weil Manual gibts ja schon lange keines mehr dazu. Behringer wird in seinen alten Tagen noch zum echten schottischen Geizhals , auch die DruckFarbe muß noch eingespart werden .Ich halte diese Weiche für flexibler einsetzbar als die große 3-Weg . Weil wenn man hiervon zwei kauft , kann man von 4x2-Weg bis 2x4-Weg alles abdecken . Denn es hat einen eigenen Subwoofer-Ausgang , der bei zwei Geräten in 4-Wegen -in Stereo - funzt . Dieser Ausgnag ist regelbar und trennt tatsächlich vom Tiefpaß (nachgemssen) .Ich habe jetzt schon drei davon , kann mich aber immer noch nicht entschliessen , riesige Verstärkertürme (deswegen) aufzubauen . Letztendlich ist fürs Wohnzimmer eine Passiv-Weiche gleich teuer - und deutlich handlicher . Und man kann Boxen einfach tauschen ohne jedesmal umständlich alles einzustellen !Vielleicht brauch ich sie wirklich einmal , wenn ich irgendwann alt bin ... und keine Weichenteile mehr löten kann .

The latest version of the Behringer Super-X Pro CX2310 v2, a 2 Ways Crossover was delivered by Amazon Canada at time. In advance, I modified my 35 years old stereo JBL 250Ti speakers inside wirings to BI-AMP by myself, the 14 inches woofer passive low frequency crossover is isolated from the passive high frequency crossover which connects the 8 and 4 inch, and the titanium speakers. A Bi-AMP speaker terminal with separated High and Low Frequency terminals are added at the back of the speaker.Sound Equipment used: (1) A Behringer Super-X Pro CX2310v2; (2) A Sound Town ST-UPDM4C 4 Channels @950W RMS Class D power amplifiers; (3) A Yamaha WXC-50 MusicCast Preamplifier. (All there of them can be bought through Amazon Canada).Stage One: A new Sound Town ST-UPDM4C 4 Channels, @950W RMS Class D power amplifiers are directly connected to these two BI-AMP modified JBL 250Ti speakers for a test drive. The speakers inside wirings are proved being modified right, improvement in clear sound quality and bass dynamic are noted instantly, these test connections are as shown in the photos.Stage 2: The active Behringer Super-X Pro CX2310 v2 crossover frequency is set at 400 Hz for 2 ways BI-AMP driving. This is connected with my 35 years old grey color unbalanced OFC audio cable, as shown connected in the photos, from my Yamaha WXC-50 unbalanced pre-amplifier to the balanced Behringer Crossover with adapter. My Behringer Crossover is XLR cables connected to my Sound Town ST-UPDM4C 4 Channels power amplifiers for driving my 35 years old JBL 250Ti BI-AMP modifications. This Behringer Super-X Pro CX2310 v2 crossover processes with crystal clear music, sweet vocal sound quality supported with flat, solid and punching bass for my Sound Town ST-UPDM4C 4 Channels @950W RMS Class D power amplifiers in driving my 35 years old JBL 250Ti BI-AMP modifications with wide dynamic and deeper sound field delivering much advance clear sound quality improvement.Stage 3: Stereo 2.1 single subwoofer connection test of the Behringer Super-X Pro CX2310 v2 which is set with subwoofer crossover frequency at 100Hz to drive the JBL LS120P 12 inch self powered subwoofer, while the Mid/High crossover frequency is set at 2.6KHZ to drive the JBL LS40 BI-AMP speakers with the Sound Town ST-UPDM4C 4 Channels @950W RMS Class D power amplifier. (This JBL LS120P 400W amplifier was burnt a few months ago, I repaired this subwoofer by replacing with the Sound Town STAPS-600D 400W RMS Class D Plate amplifier, so it can connect directly with XLR cable to the Behringer subwoofer terminal). And Yamaha WXC-50 is still being connected as the preamplifier. As expected, this match-setting also delivers much advance clear sound quality improvement.The Stereo 250Ti speakers are Titanium design and two 14 inches woofers, with one for each speaker; while the Stereo 2.1 LS400 speakers are Horn design and with only one 12 inches woofer. So the Stereo 250Ti speakers deliver better BASS experience from the two 14 inches woofers but the Stereo 2.1 LS400 speakers deliver better VOCAL experience from the horn speaker in sound nature for music listening. Great values and sounds. No HUMMING at the two 14 inches woofers of the JBL 250Ti speakers nor at the JBL LS120P 12 inches woofer! I enjoy very much the experience of this BI-AMP modification and the purchasing support of Amazon Canada.

Ich habe schon zwei solche Gerate und alle sind sehr Gut und einfach zu Bedinen